Music from the mid 60's to late 70's (when creative genius reigned..)
- Thread starter lwien
- Start date
BabyFacedFinster
Anything worth doing, is worth overdoing.
Bologna
(zombie) Woof.
Captain Beefheart, Clear Spot Hi Res 1972 (vinyl)
Side one
Side two
| No. | Title | Length |
| 1. | "Low Yo Yo Stuff" | 3:41 |
| 2. | "Nowadays a Woman's Gotta Hit a Man" | 3:46 |
| 3. | "Too Much Time" | 2:50 |
| 4. | "Circumstances" | 3:14 |
| 5. | "My Head Is My Only House Unless It Rains" | 2:55 |
| 6. | "Sun Zoom Spark" | 2:13 |
Side two
| No. | Title | Length |
| 7. | "Clear Spot" | 3:40 |
| 8. | "Crazy Little Thing" | 2:38 |
| 9. | "Long Neck Bottles" | 3:18 |
| 10. | "Her Eyes Are a Blue Million Miles" | 2:57 |
| 11. | "Big Eyed Beans from Venus" | 4:23 |
| 12. | "Golden Birdies" | 1:36 |
Last edited:
Bologna
(zombie) Woof.
Captain Beefheart: Zig Zag Wanderer
"Safe as Milk is the debut studio album by American music group Captain Beefheart and his Magic Band, released in June 1967 by Buddah Records. A heavily blues-influenced work, the album features a 20-year-old Ry Cooder, who played guitar and wrote some of the arrangements.
Before recording Safe as Milk, the band had released a couple of singles through A&M Records, and it was to this company that the group first proposed their début album in 1966. They presented the label with a set of R&B-influenced demos, which the label felt were too unconventional and decided to drop the band. Beefheart later said the label dropped them after hearing the song "Electricity" and declaring it "too negative". A&M's Jerry Moss thought the content too risqué for his daughter's ears. This, plus Leonard Grant's severance as manager, added to the discontent. The band instead turned to Bob Krasnow, who was then working for Kama Sutra Records; he recruited them to record for the company's new subsidiary label, Buddah"
Before recording Safe as Milk, the band had released a couple of singles through A&M Records, and it was to this company that the group first proposed their début album in 1966. They presented the label with a set of R&B-influenced demos, which the label felt were too unconventional and decided to drop the band. Beefheart later said the label dropped them after hearing the song "Electricity" and declaring it "too negative". A&M's Jerry Moss thought the content too risqué for his daughter's ears. This, plus Leonard Grant's severance as manager, added to the discontent. The band instead turned to Bob Krasnow, who was then working for Kama Sutra Records; he recruited them to record for the company's new subsidiary label, Buddah"
