Here's a little update about the internals.
You place your metal screen into the tip at the desired distance from the charcoal. I find that depending on the ambient temperature, size of charcoal, smoking material, and personal preference, you may want to adjust this screen position, obviously the closer it is the charcoal the hotter it will be. Once this screen is fitted, you probably won't want to move it until you switch smoking material or want to clean it.
The bamboo stem slides into the metal tip, there is an O-ring, shown here in dull green, made from waxed sewing thread, you can change the thread colour to whatever you want. This blackwood tip has a metal screen at the very end of it. If you want to pack a small load into the chamber, you push the stem down until it touches the smoking material. This combination gives you a lot of flexibility.
You may find that if you are smoking very fine material, a tightly packed puck positioned just away from the tip is perfect, but if you switch to loose leaf with a large grain size, you may want to open the chamber up a bit, and pack it loose.
You could even start with the screen further away from the tip, for a lower temperature, and then slowly push the stem down into the metal tip as you are vaporizing. It acts sort of like a push-pop, pushing the material and the screen closer to the charcoal and raising the temperatures. You can really sneak up on the maximum before combustion so you can get the most out of your herbs.
As a side note, the sheer size of the chamber, with an outside diameter of 11mm, gives this device a fairly small capacity when compared to larger portables. That said, you can easily repack while the charcoal is still burning on the tip. The bronze prongs seem to act like a really good heat sink, so you're able to handle the tip in the middle of a session.
In the future, I envision a sort of feather-like screen that is springy and opens like flower petals to allow herb particles to pass through it when pressure is applied. It could allow you to pack a very long chamber load, and as the herbs near the tip become spent, you can push the herb out of the tip with the stem plunger...thus revealing fresh herbs to the heat of the ember, You could have a packed tube as long as would be comfortable to draw through, say, as long as a joint perhaps. Could be interesting....
I was thinking about putting little tiny grooves into the blackwood tip, to denote "stops" at standard intervals. So that you can achieve some level of consistency. You could tell people that you mostly vape on the 3rd interval or something... I could fill the grooves with any colour you wanted, Or a gradient of colours..flag colours..whatever. I could even do glow-in-the-dark resin.. Could be neat? Thoughts on that? I think it gives the piece a nice hint of colour... and would give the buyer a simple way to customize their piece, I always enjoy little personal touches like that.
I've been doing some testing with peppermint tea... and, I never would have thought how awesome vaporizing tea could taste! hahah. It's like brushing your teeth with vapor....
EDIT: As a final note, I've found that you can slowly rotate the Ōkin between your thumb and finger while you're inhaling. If you've adjusted the chamber correctly, finely ground dry material will "tumble" within the chamber. This achieves very even vaporization. I would compare it to a tumble laundry dryer, haha. This is something you can't do with vaporizers that have oval shaped mouthpieces (you can't spin it while it's between your teeth or lips) or that are too large to hold between two fingers.